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It is a love story that’s not all merry and hence at some levels it does get to you. Majorly what the script tries to entice you on is its emotional quotient. Aren’t we done portraying that being pretty gives you self-worth? Other than these obvious faults, the film keeps missing out on detailing like at one point, Inder and Saraswati are at Kullu and he seems to teleport to Mumbai in the next scene. Being librarian, Saru has to be geeky and because she has nerdy looks, no guy is good to her and she is filled with self doubt. So don’t be surprised by misrepresentations. Playing to stereotypes is quite typical of Bollywood. The film’s plot could have been better had it not been so larger than life dramatic. It is a predictable story and in fact its biggest twist is clear at the start itself if only one watches it carefully. There is nothing ‘never seen before’ about Sanam Teri Kasam. Will Saru and Inder’s love find a happy ending with her family’s opposition? Harshvardhan Rane and Mawra Hocane in a still from ‘Sanam Teri Kasam’ Sanam Teri Kasam Review: Script Analysis
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He disowns her and Saru is then supported by Inder who in spite of having feelings for her, tries to patch her up with an IIT/IIM guy. In a misunderstanding of sorts, Saru’s father suspects that she is having a fling with Inder and that’s when things get ugly.
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He has a rough past and is often looked down upon as a criminal in the building. Inder Parihar (Harshwardhan Rane) is the bad boy in Saraswati’s building. Saraswati has a younger sister who is waiting for her sister to get married so that she can go ahead too since she already has a boyfriend. Her father wants her to get hitched to an IIT-IIM grad but unfortunately due to her appearance, she is often rejected by her prospects. Saraswati (Mawra Hocane) is our ‘Jassi’ (Jassi Jaisi Koi Nahi) who comes from a strict South Indian Brahman family.